Friday, June 12, 2026

How is it Good I Have No Fear of Dying: Lieutenant Yulia Mykytenko’s Fight for Ukraine

by Lara Marlowe 

Published by Melville House

February 4, 2025

312 pages

ISBN 9781685891879

Summary-Review by Uliana Pasicznyk

This book relates the remarkable life story of Lieutenant Yulia Mykytenko, soldier and officer in Ukraine’s army. The story is told in her own words, as conveyed by journalist and war correspondent Lara Marlowe, and is based on a series of conversations they held during 2023. Most of these were conducted online, during Lieutenant Mykytenko’s active military duty in the Donbas, and she continues to serve in wartime Ukraine’s army today.

Born in 1995 in Kyiv, Yulia Mykytenko grew up in a Russian-speaking family; only after entering the University of Kyiv Mohyla Academy, planning to study languages and translation, did she begin speaking Ukrainian regularly. In November 2013, when protests against the Yanukovych government began in central Kyiv, she became active in defending the Maidan square and Ukraine’s independence during its Revolution of Dignity. After Russia’s invasion of Crimea and incursions in eastern Ukraine developed into an escalating war, Yulia finished her university degree but decided on a very different career path. Like her husband, Ilia, she joined a volunteer military unit at the front in the Donbas, specializing in the use of military drones. Tragically, in 2018 Ilia died from wounds he suffered in combat, and in 2020 her father, a war veteran with uncompromising political convictions, took his own life in protest against any concessions to Russia’s territorial demands. After a period of grief and bereavement, Yulia returned to military service, her commitment to serving Ukraine and determination that its army succeed in repelling Russia now absolute. She trained and began serving as an army officer herself and became an instructor and supervisor of the first class for women soldiers at one of Ukraine’s top military academies.

In telling her story, Lieutenant Yulia Mykytenko also depicts her family life and much about Ukraine and its society, past and present. After her parents’ divorce when she was a young child, Yulia was raised largely by her devoted, busy mother and extended family in rural and small-city Ukraine, including in Bucha, now infamous for what happened there in March of 2022, after Russia’s full-scale invasion of Ukraine. Until the events of 2013-14, her father fervently believed that because Russia and Ukraine had a shared past, they were and should remain brother nations. As a volunteer, private, and then lieutenant, Yulia encountered discrimination, sexism, and inequality in the military command structure, as well as skepticism toward her as an officer and wariness of the male soldiers under her command, whose confidence and loyalty she had to earn. She gives vivid accounts of dangerous situations, debilitating fatigue, demoralization, and inadequate equipment, as well as of successful operations and challenges met. In relating her experience of working with her superior officers and being in command of experienced soldiers and new recruits, she talks of camaraderie, bravery, the loss of fellow soldiers in battle, and her dedication to being a good leader of the men in her platoon. Most poignantly, she shares memories of her beloved, courageous husband, their marriage, simultaneous military service, and his death, leaving her a widow at 23. Having experienced all this, she, like the poet Vasyl Stus in his famed poem by the same title, in effect declares “How good it is that I have no fear of dying,” for she has chosen to live a life of dedication to her country and people, without “hatred, curses, or regret.”

Reading Yulia Mykytenko’s story in this book requires some attentiveness. It is related not linearly or chronologically but in overlapping chapters, reflecting that on her end the conversations on which it is based were held at the front and were sometimes subject to interruption. In relating it, Lieutenant Mykytenko at times candidly voices perplexed or critical views of political and military matters, for instance, ambivalence about how much Ukraine can rely on NATO and the West for support and the substance of President Zelensky’s leadership.  She also shares elements of the military code of honour left to her by her father and husband, such as “Never show weakness” and “Remember: fate chooses you, not the reverse.”

My own experience with this book indicates the benefits and boon of book club membership. I did not know of this book’s publication, and the story of a woman officer serving in Ukraine’s army during wartime is not one I as an individual would have chosen to read. Yet I gained much from my reading of it and am glad for the encounter.

 

Thursday, April 2, 2026

No Country for Love

by Yaroslav Trofimov

Published by Abacus

February 11, 2025

384 pages

ISBN-10 0349145318 | ISBN-13 978-0349145310

Review by Laurisa Hrycyna

No Country for Love by Yaroslav Trofimov is an historical novel and love story experienced through tumultuous times in Ukraine. Debora, as the main character stands out as a compelling and nuanced protagonist. Debora’s emotional journey is inseparable from the political landscape around her. Love becomes not just a personal longing, but an act of quiet resistance.

This novel unfolds in a Ukraine that was also home to one of the largest Jewish populations in Europe. Ukrainian and Jewish histories in this region are intertwined—culturally, linguistically, and tragically. The backdrop of the novel is the suffocating machinery of Soviet repression, which is not treated abstractly but through Debora’s story and the people who enter her life. The novel carries the weight of what is to come including Stalinist purges, Holodomor, and Babyn Yar; all of which erased entire communities.

Through the protagonist, the novel explores resilience not as heroism, but as endurance as she navigates love, fear, and moral ambiguity with quiet strength. Her perspective foregrounds how women experience war, repression, and displacement differently. The choices made reflect both vulnerability and agency.

Trofimov’s strength lies in showing how historical forces penetrate the most private corners of life: relationships, identity, and even memory itself. Trofimov captures the chilling truth that survival often depends not on courage alone, but on silence, compromise, and luck.

No Country for Love is both historically rich and emotionally resonant. It succeeds in transforming large-scale tragedy into a deeply personal narrative without losing the complexity of either. This woman-centered narrative adds depth and intimacy to what might otherwise feel like overwhelming historical material.

It is a novel that lingers—because it refuses easy answers and instead asks readers to sit with the uncomfortable truths of history and humanity. It is, ultimately, a story about survival—not just of individuals, but of memory, identity, and love itself.

This book generated much discussion by Rozmova readers, many of whom thought this was one of the best historical novels they have read.

Wednesday, February 18, 2026

Looking at Women Looking at War: A War and Justice Diary

Looking at Women Looking at War: A War and Justice Diary

By Victoria Amelina

Foreward by Margaret Atwood

Published by St. Martin’s Press

February 18, 2025

320 pages

ISBN-10 : 1250367689  |  ISBN-13 : 978-1250367686

Review by Karen Yarmol-Franko

Our Rozmova discussion of Looking at Women Looking at War: A War and Justice Diary by the late Victoria Amelina centred on the author’s commitment to seeking justice for her country and its citizens amid a brutally unjust war. A novelist and children’s writer turned war crimes researcher and documentarian, Amelina records what is happening on the ground during this unimaginable invasion. She conveys the horrors through the eyes of women who have set aside their careers and dreams—as lawyers, farmers, museum curators, artists, and writers—to fight for Ukraine. They become war crimes investigators, humanitarian aid drivers, cultural guardians preserving historical manuscripts, art and literature, and soldiers.

Amelina herself puts fiction aside to document war crimes with Truth Hounds, speaking with those who have endured them and lived to tell their stories. She affirms that recognizing individual stories is essential, even though she holds little faith that the perpetrators will ever be brought to justice.

Our discussion explored what drives the remarkable resilience and commitment of the Ukrainian people to their country and to justice. Throughout history, Ukrainians have faced repeated threats and aggression, and they have reached a point where they refuse to yield. They see themselves as part of Europe. They demand autonomy and democracy. They insist on normalcy and safety. After four years of full-scale war, they continue to fight for their country, their culture, and their people.

How can those of us in the diaspora support them? Financial contributions remain essential, but so does sustained advocacy: lobbying governments, the UN, and other international bodies; supporting sanctions; keeping Ukraine in the public eye through rallies, editorials, and the exposure of war crimes; and organizing cultural events that preserve and promote Ukrainian art, music, dance, and literature.

Amelina’s book was said to be sixty percent complete when she died. The editorial group wrote in the afterward: “Life has taught us that there is only one way to deal with the pain: to continue the work of the people we love.” They incorporated Amelina’s outlines and notes, including some abbreviations, fragments and partial sources which makes the narrative rather fragmented, choppy and raw. Rozmova members expressed that while seemingly disjointed and sometimes hard to follow, this mimicked the shelling and shattering and interruptions of war. The editors did not “complete” the book but pulled together the best version they could from earlier drafts, inserting footnotes to explain their additions.

“The quest for justice has turned me from a novelist and mother into a war crimes researcher. I’ve done this to uncover the truth, to ensure the survival of memory, and to give justice and lasting peace a chance.” – Victoria Amelina   

Amelina is truly a “literary activist,” as Andrey Kurkov describes her. Margaret Atwood calls her a “recording angel.” Through her courageous—and ultimately fatal—work, Amelina bore witness to the outrages and war crimes being committed during the conflict. In telling the story of this war, she has fulfilled her pursuit of justice.

For biographical information on Victoria Amelina, see the following sources:

https://en.wikipedia.org/wiki/Victoria_Amelina

https://www.huri.harvard.edu/news/bright-light-fallen-star-remembering-victoria-amelina-1986-%E2%80%93-2023

https://www.theguardian.com/commentisfree/2023/jul/03/russia-bombing-civilian-targets-crimes-ukraine-victoria-amelina

https://www.theguardian.com/books/2023/jul/03/novelist-andrey-kurkov-on-victoria-amelina

https://youtu.be/epUabqXs_iU?si=7urXcXT9q0PQMwqW